Review: Swamp (2020)
‘Swamp’ was released on the internet last year in order to compete for the Lithuanian Film Awards (it was nominated in student competition) and it is currently playing at Vilnius International Film Festival – Kino Pavasaris.
‘Swamp’ was released on the internet last year in order to compete for the Lithuanian Film Awards (it was nominated in student competition) and it is currently playing at Vilnius International Film Festival – Kino Pavasaris.
Courage is a foreboding film, especially at the very ending; an excerpt from the re-staged play Discover Love thematizes the events from the late 90s, when a businessman and an opposition leader where kidnapped and executed by the OMON.
Working from Plukas’ austere, but precise script, Vytautas and Petronis are looking for an answer to the eternal science fiction gerne question: can androids gain experiences and forge their own identity and personality?
The reason why Interrogation stands out, apart from its perfect production design with its knowledge of the given period, is the elegance of its construction and execution.
One thing is certain: no one in their right mind would ever want to go back to their teen years and live through them again.
Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art
Miranda Pennell’s short documentary Strange Object, which premiered recently at Berlinale Shorts, is deliberately constructed that way so the viewer has to walk the same route of exploration as the filmmaker did previously
We meet our titular protagonist while he’s sitting in a transparent square space, picking up the courage to step out of it and explore the unknown world that lays in front of his eyes.
The play with different styles and formats of footage shot by the newcomer Emiliano Villanueva are coded in a clever, not too obvious manner, while Asuad’s award-winning editing is a thing to marvel.
Enter your name, email address and a message.