Review: One Hundred Steps (2021)
Bob Quinn’s work ‘Atlantean’ is the starting point of Bárbara Wagner’s and Benjamin de Burca’s eighth joined short film ‘One Hundred Steps’ and is also referenced directly in it at one point
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: A Love Song in Spanish (2021)
The family of the filmmaker Ana Elena Tejera lived in close relations to the dictatorship in Panama in the 80s, which was mirrored in the house of her grandparents.
Berlinale Review: For Lucio (2021)
Regarding the beautifully composed and masterfully edited archival footage, the stand-out is a prolonged silent movie from the iconic Mille Miglia car race.
Review: Window (2021)
A snapshot photo of the stained glass window from Edgar Jorge Baralt’s childhood home in Caracas elicits memories in his short documentary video essay Window (Ventana) that has just premiered at Berlinale Shorts competition.
Review: Zonder Meer (2020)
Berlinale Shorts Competition Everybody probably remembers their first encounter with death, no matter if the deceased was a close relative, a friend or an unknown person. Different defence mechanisms, usually coded by one’s age, were being set in motion at the time of such event. Zonder Meer, a short by Meltse Van Coillie, is a […]
Review: 13 Ways of Looking at a Blackbird (2021)
Wallace Stevens’ poem Thirteen Ways of Looking at a Blackbird is being read integrally, in English, at the beginning of Ana Vaz’ newest experimental film-essay of the same title
Review: More Happiness (2021)
The conversation about love and happiness between mother and daughter, 1st and 2nd generation Chinese immigrants in the US, is at the centre of Livia Huang’s short film More Happiness that premieres at the Berlinale Shorts competition.
Review: Terranova (2021)
Terranova is an essay-type of documentary whose smoothness regarding of the topics and the visuals flow resembles a masterful DJ session.
Review: The Witches of the Orient (2021)
One of the greatest sports success stories is that of the Japanese women’s volleyball team, so-called “The Witches of the Orient” and their unbelievable winning streak of 258 games in the early 60s
