Review: The Kiosk (2020)
One particular kiosk on a busy location of Paris’ Place Victor Hugo is in focus of Alexandra Pinelli’s documentary The Kiosk
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: War (2020)
War is by no means a narrative film, but more of a poetic experience
Review: Swimmer (2020)
An ordinary, busy day at the swimming pool is interrupted by the unexpected visit of a couple of police officers willing to investigate the owner of a green Volvo parked outside
Review: Safety Measure (2020)
The battle of concepts, where freedom and privacy stand on one side and control and safety on another, is usually a battle of egos by the means of wits and willpower.
Review: Park (2020)
The Swedish directing duo Lucia Pagano and Vanja Sandell Billström spent a year filming people in parks in Stockholm over the course of seasons, studying their behaviour and activities
Programme overview: Animation Refinery
Sometimes, animation is a perfect vehicle for experiments.
Review: Work, or to Whom Does the World Belong (2019)
The studious approach remains in place for the most of the film, but it would be wrong to say that Cepedal is cold towards her subjects.
Review: Spontaneous (2020)
Lori Felker does an extremely courageous thing to make a documentary about her own trauma.
Review: Dustin (2020)
Clubbing, after-partying and jealousy issues stand in the centre of Naila Guiguet’s short film Dustin that is already becoming a staple diet of many major film festivals.
