Review: You’re Dead, Helen (2021)
Michael Blanchart’s horror comedy “You’re Dead, Helen” celebrated two victories at Slash Film Festival
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Review: Survivers (2021)
Slash Film FestivalFantastic Shorts Competition What would happen if the best scientists in the world wouldn’t be able to make their calculations properly, in the moment when a slightliest mistake threatens to wipe away the humankind? The Spanish director Carlos Goméz-Trigo asks this question a bit differently – What if humans have become stupid? Three […]
Review: Girl With a Thermal Gun (2020)
A busy supermarket delivery person escapes to a fantasy world to cope better with his monotonous day-to-day duties
Review: The Last Queen on Earth (2020)
That ultimate freedom of doing whatever, whenever, as often you want, unwatched, unsupervised, unbothered by anyone.
Barbara Paz: “Everything was born from the theater of the artists without a stage”
We all sacrifice ourselves at some point in life, and to give up life will undoubtedly lead us to the purgatory, and to the end time.
Manlio Gomarasca: “Joe D’Amato was a one-man show”
Italian helmer Manlio Gomarasca dedicated his life to the genre cinema not just as the founder and editor-in-chief of the publication ‘Noturno Cinema’, but also as the festival advisor, programmer, curator and the author of books such as The little film library of horrors and Dario Argento: the image of fear. After ten shorts and […]
Review: Bosnian Broadway (2021)
Jasmina Beširević’ short documentary ‘Bosnian Broadway’ is a portrait of the young generation of artists who are aware of their tiny spot in the world of entertainment, despite of great talent and hard work.
Review: Every Sunday (2020)
There was a sense of embarassement and shock in Cypress back in 2019, when the local activist Maria Mapporidou had to point out the obvious both to the public and the authorities – there was a serial killer on the island who targeted foreign female domestic workers
Rok Biček: “The football field always represents the world in a micro-cosmos”
I never thought that I would have a problem to get the finances for my next film in Slovenia, especially after the success of Class Enemy (Fedeora Award of Critics Week in Venice 2013) and The Family (Grand Prix at Locarno Critic’s Week in 2017)
