Review: Gaslight (2019)
Writer/ director Louisa Weichmann’s short horror drama with comic elements is not a simple linear story about a woman who experiences dreadful things during one night.
Marina D. Richter
About Marina D. Richter
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Review: Ferine (2019)
Writer/ director Andrea Corsini didn’t use as much as a sentence in his script that is built on strong visuals and excellent performances by both lead actors. Della Rosa is diabolical as the woman on her ruthless quest, ice-cold and calculated, led by primal instinct.
Review: Hungry Joe (2019)
Before you start watching Paul Holbrook’s & Sam Dawe’s short horror Hungry Joe, make sure your stomache’s empty.
Review: Laura Hasn’t Slept (2020)
Laura hasn’t slept in a while. Her recurring nightmare makes her believe that she will find her end should she ever see the true face of the man who’s after her night after night.
Review: Bos (2020)
Geypens plays with one-dimensional understanding of the universe and our perception of what is above and what below the ground. Connection between human beings and the nature is put to the test.
Review: Sparks (2020)
Given no explanations, just strong images and the great work in the sound department, Sparks is a witness of modernity conquering the remaining patches of wilderness where traditional agricultural practices still exist.
Review: Viktorija,15 (2020)
In her debut semi-feature length documentary Viktorija, 15 Mina Petrović paints a vivid portrait of a 15-year-old drummer from the small Serbian town of Smederevo who gets a brief chance of living her passion to the full extent through a girls rock camp, and consequently – through her first ever rock’n’roll fuelled trip abroad.
Review: Places (2020)
One guy is staying, the other is leaving. A pretend basketball game is played. Like playing an air guitar, but with an invisible ball.
Review: Workshop (2020)
Seven young people sign up for the “Confronting your toxic parents” workshop that takes place in a vast conference facility in Upper Hut (in real life, an abandoned racecourse with multiple buildings on its premises), judging by its architecture – probably built somewhere in the 1970s.
