Review: A Millionaire’s Melancholy (2018), by Carsten Pfaundler
There is something quite irresistible in the introductory information that „Cinema Povero“ presents „A Millionaire’s Melancholy”
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Neil Young: If nobody walked out of the film, I would feel as I had failed
The British film critic, curator, programmer and festival advisor Neil Young has made his first feature-length film Rihaction which has just had its world-premiere at the Diagonale. The film is completely based on 37 YouTube reaction videos on the performance by Tom Holland in the popular American musical competition series ‘Lip Sync Battle’, where he […]
Review: Rihaction (2019) by Neil Young
It takes more than a plain interest in experimental films to go to see Rihaction, a debut feature-length film by the British film critic, curator and programmer Neil Young.
Review: The Remains (2019), by Nathalie Borgers
What is left after huge tragedies on the open sea, when refugees drown? Scattered along the rocky coastal part of the Greek island Lesbos are small, wracked boats, clothes, shoes, mobile phones and children toys.
Review: Refugee Lullaby (2019), by Ronit Kertsner
In her sixth documentary Refugee Lullaby, Ronit Kertsner aims her focus at Hans Breuer, a shepherd who had chosen a secluded, modest life-style in the countryside over his previous, Viennese.
Review: Talking About Trees (2019), by Suhaib Gasmelbari
It’s Bertolt Brecht’s quote – What kind of times are these, when to talk about trees is almost a crime because it implies silence about so many horrors?
Review: The Magic Life of “V” (2019), by Tonislav Hristov
“Why do you think you drink?”, the 25-year old Veera asks her father Heikki in his bachelor pad during their first encounter after 15 years of zero physical contact.
Review: The Raft (2018), by Marcus Lindeen
With his documentary The Raft which scooped the DOX:Award at the CPH:DOX in 2018, Swedish director Marcus Lindeen is breaking the myth of Santiago Genovés’ controversial experiment that took place in 1973. This adventure almost looks as an early draft for the reality show “Get me out of here, I’m a celebrity”
“Klimt, Schiele, Kokoschka i žene” (galerija Donjeg Belvedera, Beč)
Aktuelnom izložbom „Klimt, Schiele, Kokoschka i žene” koja je podeljena na četiri sekcije – portreti, ljubavni parovi, majka & dete i aktovi, Belvedere se bavi analiziranjem sličnosti i razlika u načinu na koji su ova tri umetnika pristupala likovnom prikazu žene.
