Review: Motorcity (2021)
‘Motorcity’ is a guerrilla-style documentary that expresses the ambition to show the panoramic view of the culture in all of its diversity and significance to the once glorious, now rundown place.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: The Last Dialogue (2021)
The larger part of the film is set where the narratives and historical memories are, or at least should be, created.
Review: Notes from the Underworld (2020)
‘Notes from the Underworld’ is not a documentary about the underworld itself and about the events that should be substantiated in hard facts, but a film about the past and different lives bygone.
Review: My Name Is Francesco Totti
Francesco Totti was an unusual figure in the football world. At the time when footballers were filling pages of the yellow press with their shenanigans, quick marriages and even quicker divorces, he was faithful to his wife Ilary Blasi with whom he had three children. Also, at the moment when football ceased to be just […]
Review: Zaho Zay (2020)
Finding a ghost is not easy and finding a particular person in prison where the inmates start looking and acting like one another resembles a search for a needle in a haystack.
Review: All-In (2021)
All-In has some of the qualities of a good fiction cinema, while staying faithful to the documentary form
Review: Gorbachev. Heaven (2020)
Manskiy started filming Gorbachev at his home, “given” to him in the form of a life-long rentless lease by the presidents of the former Soviet republics at the moment of the collapse of the communist empire
Review: This Rain Will Never Stop (2020)
Gorlova lets herself and her colleagues Simon Mozgovyi and Olha Zhurba go wild in the editing department, spinning the film into an extremely moody, experimental direction while playing with the added “visual noise”.
Review: Faya Dayi (2021)
Along with Beshir’s artistry, one of the film’s key assets is its filming location, the historical city of Harar in Eastern Ethiopia.
