Review: Moment (2019)
Geoffrey Uloth’s Moment is a bit of a phenomenon in the terms of success on the festivals nationally (Fantasia, Toronto After Dark) and internationally (BIFFF, SPIFF) with a tally of dozens of awards and nominations.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Mannequins (2020)
As the title suggests, the film takes place in a boutique, but the viewer should not expect some “haute couture”.
Review: Plainsong (2019)
Shown at Little Nightmares sidebar of HÖFF, Alexis Fortier-Gauthier’s exquisite short film Plainsong could cause some serious nightmares.
Fantaspoa at Home (International Competition)
Fantaspoa was supposed to take place in its physical form in Porto Alegre, Brazil right about now,…
Review: The Haunted Swordsman (2019)
The only bad thing about The Haunted Swordsman is that it makes the viewer crave for more. It is destined to be a huge hit
Review: Intrusion (2020)
It does not seem that way, but home invasion as a pretext works better in a feature-length format than it does in short. The key difference is character development – the trope does not need that many characters
Review: Unholy ‘Mole (2019)
Can guacamole be enough of a motivation for a desperate husband and a father to be (R.D. Mower) to sell the soul of his unborn son to the animated devil (voiced by Ray Wise!)
Review: Exit (2020)
Exit, written and directed by Ivan Basov, is a science fiction / horror short film which is being shown at HÖFF (usually taking place in Haapsalu, Estonia, but moved online for the obvious reasons this year) in Little Nightmares sidebar for fantastic shorts.
Review: Kombinat (2020)
The story of Kombinat does not necessarily revolve around the titular steelworks factory seen in the opening scene and many times later on, but its presence is significant both for the film’s subjects and for the industrial city of Magnitogorsk
