Review: Laura Hasn’t Slept (2020)
Laura hasn’t slept in a while. Her recurring nightmare makes her believe that she will find her end should she ever see the true face of the man who’s after her night after night.
Laura hasn’t slept in a while. Her recurring nightmare makes her believe that she will find her end should she ever see the true face of the man who’s after her night after night.
Geypens plays with one-dimensional understanding of the universe and our perception of what is above and what below the ground. Connection between human beings and the nature is put to the test.
Given no explanations, just strong images and the great work in the sound department, Sparks is a witness of modernity conquering the remaining patches of wilderness where traditional agricultural practices still exist.
In her debut semi-feature length documentary Viktorija, 15 Mina Petrović paints a vivid portrait of a 15-year-old drummer from the small Serbian town of Smederevo who gets a brief chance of living her passion to the full extent through a girls rock camp, and consequently – through her first ever rock’n’roll fuelled trip abroad.
One guy is staying, the other is leaving. A pretend basketball game is played. Like playing an air guitar, but with an invisible ball.
Seven young people sign up for the “Confronting your toxic parents” workshop that takes place in a vast conference facility in Upper Hut (in real life, an abandoned racecourse with multiple buildings on its premises), judging by its architecture – probably built somewhere in the 1970s.
More than anything else, Under Her Skin is a universal tale of teenagers’ plight to make their personality outplay parents expectations and will. The film opts for an unusual path of describing a coming of age story.
Anita is an eye-openingy study of male-femele relationships crushed under the burden of patriarchal norms. The film competes in Orizzonti Short programme of the 77the edition of Venice Film Festival.
lorent Morin’s meticulously precise compositing makes the images dance in vibrant tempo, and the script written with greatest care transfers us back to our previous selves, vulnerable, but honest to the questions of life and death, the unconditional love and the awkward period of solitude in our desperation.
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