Vienna based Leopold Museum has seen its number of visitors rise to half a million during 2012 due to two exhibitions, “Private Klimt” (250.000), and the recently opened controversial show “Naked men”. The latest attracts up to 2000 people a day who are mostly intrigued by the first significant retrospective of male nudes through the […]
Klosterneuburg, Donja Austrija: ESSL muzej predstavlja selekciju radova jedne od najznačajnijih predstavnica austrijskog figurativnog slikarstva Xenie Hausner na samostalnoj izložbi koja obuhvata jednu instalaciju i dvanaest velikoformatnih slika od kojih su mnoge prvi put javno izložene, a ulje na dibondu “Slobodan pad” je dovršena ekskluzivno za ovu priliku.
ESSL museum presents a selection of works by one of the most significant Austrian figurative painters, Xenia Hausner, in a solo exhibition consisting of one installation and 12 large-format paintings, most of them never shown publicly before.
ESSL museum presents a selection of works by one of the most significant Austrian figurative painters, Xenia Hausner, in a solo exhibition consisting of one installation and 12 large-format paintings, most of them never shown publicly before. One of them – “Free fall”, a giant dibond work (250×815) was finished exclusively for this exhibition. The […]
During the Vienna Gallery Weekend (23rd – 25th November) which became the unseparable part of the cultural manifestation Vienna Art Week, thirty eight galleries presented the work of seventy local and international artists. Desnobbing Austria team was enjoying a Sunday afternoon on Thomas Mießgang “tour de competence” through a number of galleries situated in the Schleifmühlgasse.
VIENNA ART WEEK 2012 (bečka nedelja umetnosti) koja ove godine nosi naslov “Predviđanje sećanja” je osnovana na inicijativu aukcione kuće Dorotheum, a osmišljena je od strane grupe bečkih umetnika na takav način da u fokus stavlja muzeje, institucije i ostale umetničke aparature koje se bave umetnošću kao riznicom sećanja i znanja. Kulture iz prošlosti koje […]
Skandinavski dizajn se proslavio svojim rešenjima koje odlikuje nepretenciozna jednostavnost formi. Tako je, na primer, u svome filmu “Ludi ljudi” Dudley Moore urnebesno opisao Volvo kao “kockast ali dobar” i ovo naizgled preterano svođenje formi, tipično za skandinavske proizvode je verovatno i jedan od najjačih razloga za njihov internacionalni uspeh od poznih 1950-ih do danas. […]
