Palm Springs review: End of The Road (2022)
Just like in her award winning short doc A Harlem’s Mother (2010), Todorovic is here to remind you about the value of life. I
June 2022
Review: A Bunch of Amateurs (2022)
‘A Bunch of Amateurs’ a heart-warming group portrait of a very special bunch laced with the typically dry, but actually well-meaning English humour.
Sundance London review: The Princess (2022)
‘The Princess’ ultimately eschews speculation surrounding the princess’s tragic demise, but it provides a riveting, if unavoidably voyeuristic, front-row seat on the claustrophobia in being a box office princess plunged into fame’s most fiery furnace.
Review: Will My Parents Come to See Me (2022)
The first impression of this slow-burner might be a bit misleading, due to the filmmaker’s and his cinematographer choices of usually long static, mid-to-long distance takes from lower racourses and “Dutch” angles.
Review: Hollywood (2022)
When is the right time to give up on our dreams, face the music and accept our fate?
Review: Impossible Figures and Other Stories I (2021)
It all starts with a bang, an explosion after which the objects, abstract and concrete, and later the animals and the people move straight to the imaginary camera.
Review: Doom Cruise (2021)
Maybe the apocalypse will look like children’s drawings, mixed with geometrical abstraction done in wax colours over the black background.
Review: Bird in the Peninsula (2022)
‘Bird in the Peninsula’ is simply magnetic
Review: In the Upper Room (2022)
Animated in gentle fashion, with simple, child-like drawings as the founding material, ‘In the Upper Room’ is a proper coming-of-age film that speaks loudly enough to both the younger and grown-up audiences.
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