Review: Pond (2019)
Macri’s Pond premiered last October at Chicago International Film Festival and has earned the nomination for the Hugo award in the Best Short category.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Vienna Shorts’ “Nightmares”
Judging by its poster section, Nightmares, the programming task has been achieved with flying colours.
Review: Blackbirds (2020)
The key trait for Blackbirds and Séméria’s approach to the subject of the birth of a young love is gentleness.
Review: Making of Making of Nothing (2019)
A lot of things come from the family environment: attitudes, behaviour, even traumatic experiences.
Review: Eyes on the Road (2019)
In teenagers’ world, silence is often the most unpleasant thing in the world, so the conversation has to go on, even in a confined space like a car that glides down the road
Review: The Tent (2019)
The classical, evergreen idea about the family resentments resurfacing in the moment of crisis is matched with Figenschau’s sure-handed execution
Review: Oslo (2019)
Composed of longer takes by static camera, so all of them feel almost like real-time, and filmed on 35 mm stock, Oslo is a marvel to look at.
Review: A Loss of Something Ever Felt (2020)
It is a rare occasion that a documentary captures the tension of a crime thriller and the intensity of the emotions running within a family.
Review: Midnight Family (2019)
In his second feature-length documentary Midnight Family, the American filmmaker of the young generation Luke Lorentzen takes us to the streets of Mexico City where the Ochoa family that operates an ambulance.
