Review: Don’t Get Too Comfortable (2021)
From the opening on, it is clear that Don’t Get Too Comfortable is quite a technical piece of cinema that combines the documentary content with experimental execution.
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: A Glitch in the Matrix (2021)
Ascher approaches the topic in a pretty standardized American way, relying on the interviews with the selection of the film’s subjects, mostly fans of the theory.
Review: Babi Yar. Context (2021)
‘Babi Yar. Context’ is a strongly unpleasant, yet immersive experience (like a lot of Loznitsa’s work in general) with a powerful humane message.
Review: Penalty Shot (2021)
In ‘Penalty Shot’, Biček demonstrates both his courage and elegance in the filmmaking approach.
Review: Steakhouse (2021)
‘Steakhouse’ by Špela Čadež is a mature, wonderfully executed animated short for adult audiences
Review: Displaced (2021)
Samir Karahoda’s short ‘Displaced’ ia a blend of absurdist comedy, societal tragedy and documentary-quality anecdotes about the fortunes of a ping-pong club from Prizren, Kosovo and the struggle of the two men to keep it going.
Review: Neon Phantom (2021)
We might formally share the same country or the same world, but our perspectives of them vary. For instance, the world will never look the same for “haves” and for “have nots”.
Review: Strawberry Cheesecake (2021)
Smoking in high school is usually seen as an attention-seeking attempt at rebellion against the world of the clean-cut adults. In Singapore, however, smoking is strictly forbidden for youngsters as well as adults.
Review: Dad’s Sneakers (2021)
Sasha (Bogdan Zenchenko) is a 13 year old orphan boy whose life is about to change forever, since he is adopted by an American woman, possibly a benefactor, named Carrie (Corie Ann Jason).
