Review: Hollywood (2022)
When is the right time to give up on our dreams, face the music and accept our fate?
Marko Stojiljković
About Marko Stojiljković
Posts by Marko Stojiljković:
Review: Impossible Figures and Other Stories I (2021)
It all starts with a bang, an explosion after which the objects, abstract and concrete, and later the animals and the people move straight to the imaginary camera.
Review: Doom Cruise (2021)
Maybe the apocalypse will look like children’s drawings, mixed with geometrical abstraction done in wax colours over the black background.
Review: Bird in the Peninsula (2022)
‘Bird in the Peninsula’ is simply magnetic
Review: In the Upper Room (2022)
Animated in gentle fashion, with simple, child-like drawings as the founding material, ‘In the Upper Room’ is a proper coming-of-age film that speaks loudly enough to both the younger and grown-up audiences.
Review: Invisible Hands (2021)
The whole film is a collage of amateur home films dating mainly from the 60s and 70s, depicting the things from the ordinary lives of the ordinary people in their so-called free time.
Review: Lili Alone (2021)
Huang Lili fills the character of Lili with a lot of emotion communicated in a discreet, under-played way, making her also one of the key assets of the film.
Review: Goodbye, Jérôme (2021)
Jérôme’s and Maryline’s Heaven is like no other: far from idyllic, it is actually exciting. The same could be said for Chloé Farr’s, Gabrielle Selnet’s and Adam Sillard’s little movie.
Review: Newsreel 80 – Metka, Meki (2021)
‘Metka, Meki’ is a hearty, sympathetic documentary that profits from Metka’s pleasant, but gripping personality and from the intriguing structure imposed by Nika Autor…
