Emilie Brisavoine: “I was switching between Emilie the director, and Emilie the person”
We usually think of the family as a place of love and security, but (…)
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Alexandru Solomon: “We are fooled into believing that the 20th century history was interrupted by some major cuts”
There was always a continuity between the power and the Church (…)
Review: Arsenie. An Amazing Afterlife (2023)
Curious to understand the popularity of a priest who, despite of a life full of controversy, became a cult figure…
Review: 2nd Person (2022)
Loneliness comes with old age, and regardless of a country, continent, culture, there will always be people leaning over their window/ balconies
Cannes review: As It Was (2023)
Although in the background, the war is omnipresent, and the voice is given to the young generation…
Interview with Pol de Plecker: “For me, every single scene, colour and sound has a symbolic meaning”
In the opening scene I’ve tried to create a very industrial and mechanical sonic world.
Cannes review: Aunque Es De Noche (2023)
The images are soft and warm, presenting people as natural-born survivors …
Review: Basri & Salma In A Never-Ending Comedy (2023)
“Basri & Salma In A Never-Ending Comedy” is a film that conquers the audience by its effortless way…
Lubna Playoust: “Both acting and directing move me, and I feel home there.”
I wasn’t checking on the footage during the shooting and I’ve got to say that every time I was watching it, I discovered very different layers.
