Sarajevo review: We…, Composition (2022)
The mundane life seen from behind the counter of a bakery is shown as a succession of fast-pacing scanned photographs and short videos.
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Sarajevo review: Babajanja (2022)
‘Babajanja’ is a heartfelt short documentary that borrows horror elements to paint a picture of otherness, pointing out at the obvious fact that some people do not stand a chance of being accepted for what they are (…)
Sarajevo review: Bigger Than Trauma (2022)
The film is done with a lot of emotional intelligence, close enough to the women and yet respectfully distanced to give them space to expess how they feel about their traumatic past
Sarajevo review: Paying a Visit to Fortuna (2021)
The Hungarian director Mátyás Kálmán has found a smooth way to document a life of two people who resisted the temptation of ruining the biggest asset they have – each other’s love, despite all odds.
Sarajevo review: Atonal Glow (2021)
Private video footage and the boy’s videos shot on the cell phone stand in contrast with Koridze’s sober, yet gentle eye
Sarajevo review: Diary of a Bride of Christ (2022)
‘Diary of a Bride of Christ’ is an interesting, although a bit naive take on nuns and their views
Review: No Place For You in Our Town (2022)
The now and then share one thing in common – a sinister, depressing look of a place that went through different stages of industrialization, eating away the health and joy of its inhabitants.
Locarno review: Money and Happiness (2022)
Ana Nedeljković and Nikola Majdak Jr. return to the topic of the individuality loss and repetetivness in life previously explored in …
Locarno review: Diamond Kid (2022)
‘Diamond Kid’ is a meditation on human urge to control, or readiness to be controlled
