In talk with the directors of “Thorn”, André Guiomar and Mya Kaplan: “We already had a draft of the story on our first day of work”
We understood that our backgrounds were not so dissimilar, and that we had something in common
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
In conversation with Mario Macedo and Dornaz Hajiha, the helmers of “Maria”
We set down with the two helmers to talk about their collaboration, and experiences during a rather intense shooting period.
In conversation with the helmers of “Seaguls Cut Through The Sky”, Mariana Bártolo and Guillermo García López
Eventually, the precise position of the camera was clear when we had the choreography figured.
Dresden review: Skinned (2022)
Previously involved in a number of TV series as a director, the French helmer dived into his own psyche
Dresden review: Municipal Relaxation Module (2022)
Ken thinks that benches uninspiredly put in parks, on playgrounds and along esplanades serve no logical purpose
Sundance review: And The King Said, What a Fantastic Machine (2023)
“And The King Said What A Fantastic Machine” is not a boring history lesson with talking heads explaining the world.
In talk with Inna Sahakyan: “Aurora’s story was very unique”
We spoke to the director right before IDFA. Aurora’s Sunrise currently screens at Tallinn Black Nights, where she was also in attendance.
Review: Marx Can Wait (2021)
Marx can really wait, while Camillo Bellocchio could not and his brother Marco, the terrific filmmaker, cannot any more.
Sarajevo review: We…, Composition (2022)
The mundane life seen from behind the counter of a bakery is shown as a succession of fast-pacing scanned photographs and short videos.
