Cannes review: As It Was (2023)
Although in the background, the war is omnipresent, and the voice is given to the young generation…
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Interview with Pol de Plecker: “For me, every single scene, colour and sound has a symbolic meaning”
In the opening scene I’ve tried to create a very industrial and mechanical sonic world.
Cannes review: Aunque Es De Noche (2023)
The images are soft and warm, presenting people as natural-born survivors …
Review: Basri & Salma In A Never-Ending Comedy (2023)
“Basri & Salma In A Never-Ending Comedy” is a film that conquers the audience by its effortless way…
Lubna Playoust: “Both acting and directing move me, and I feel home there.”
I wasn’t checking on the footage during the shooting and I’ve got to say that every time I was watching it, I discovered very different layers.
Daniel Hadenius-Ebner: “Homecoming to the MuseumsQuarter was a big step for us”
Right before the interview, we asked Daniel Hadenius-Ebner to present himself in his own words to those few people in the international short film circuit who don’t know much about him, and here is what he wrote: Daniel Hadenius-Ebner (42), born in Vorarlberg, married in Sweden, forever connected to Vienna. Loves silly movies and experimental […]
In talk with the directors of “Thorn”, André Guiomar and Mya Kaplan: “We already had a draft of the story on our first day of work”
We understood that our backgrounds were not so dissimilar, and that we had something in common
In conversation with Mario Macedo and Dornaz Hajiha, the helmers of “Maria”
We set down with the two helmers to talk about their collaboration, and experiences during a rather intense shooting period.
In conversation with the helmers of “Seaguls Cut Through The Sky”, Mariana Bártolo and Guillermo García López
Eventually, the precise position of the camera was clear when we had the choreography figured.
