Dresden review: Municipal Relaxation Module (2022)
Ken thinks that benches uninspiredly put in parks, on playgrounds and along esplanades serve no logical purpose
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Sundance review: And The King Said, What a Fantastic Machine (2023)
“And The King Said What A Fantastic Machine” is not a boring history lesson with talking heads explaining the world.
In talk with Inna Sahakyan: “Aurora’s story was very unique”
We spoke to the director right before IDFA. Aurora’s Sunrise currently screens at Tallinn Black Nights, where she was also in attendance.
Review: Marx Can Wait (2021)
Marx can really wait, while Camillo Bellocchio could not and his brother Marco, the terrific filmmaker, cannot any more.
Sarajevo review: We…, Composition (2022)
The mundane life seen from behind the counter of a bakery is shown as a succession of fast-pacing scanned photographs and short videos.
Sarajevo review: Babajanja (2022)
‘Babajanja’ is a heartfelt short documentary that borrows horror elements to paint a picture of otherness, pointing out at the obvious fact that some people do not stand a chance of being accepted for what they are (…)
Sarajevo review: Bigger Than Trauma (2022)
The film is done with a lot of emotional intelligence, close enough to the women and yet respectfully distanced to give them space to expess how they feel about their traumatic past
Sarajevo review: Paying a Visit to Fortuna (2021)
The Hungarian director Mátyás Kálmán has found a smooth way to document a life of two people who resisted the temptation of ruining the biggest asset they have – each other’s love, despite all odds.
Sarajevo review: Atonal Glow (2021)
Private video footage and the boy’s videos shot on the cell phone stand in contrast with Koridze’s sober, yet gentle eye
