Review: Just Animals (2022)
Just Animals is a sincere film made of good intentions. It’s an intimate portrait of a group of people dedicated to the animal activism…
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Emanuele Gerosa: “I always jump into what I am doing with a lot of passion”
Emanuele Gerosa is genuinly curious about people, not subjects. His documentaries feel like being scripted at moments, because he comes so close to his characters that they drop their guard.
Review: No Place For You in Our Town (2022)
Now and then share one thing in common – a sinister, depressing look of a place that went through different stages of industrialization, eating away the health and joy of its inhabitants.
Boy Sprouted (2021)
One day, Sei-Chen (Seitaro Hara) gets a strange reaction on the breakfast prepared by his mom (Kanako Higashi). He seems to be upset by the very look at the sliced tomato and he tosses it on the floor before running out of the house. From that moment on the boy will avoid eating tomatoes with […]
Winterthur review: Techno, Mama (2021)
Vytautas Katkus’s photography is as sinister as the atmosphere of ‘Techno, Mama’.
Winterthur review: Fire Season (2021)
One could say that Else did create a horror film of sorts, the one in which humans’ indiference towards life presents itself in its unbeautified shape.
Winterthur review: Beast (2021)
Covarrubia manages to bring across cruelty through seemingly harmless daily routines in the woman’s household.
Review: Cabra Cega (2021)
‘Cabra Cega’ is a film that generates its energy from the filigrane feeling for the emotional relationship between the siblings
Winterthur review: Three Songs For Benazir (2021)
The camera work is un-interventional, silent and attentive, and it is less of a fly-on-the-wall than the dirt-hits-the-fan feeling we are witnessing as the film progresses.
