Winterthur review: Techno, Mama (2021)
Vytautas Katkus’s photography is as sinister as the atmosphere of ‘Techno, Mama’.
Marina D. Richter
About Marina D. Richter
Posts by Marina D. Richter:
Winterthur review: Fire Season (2021)
One could say that Else did create a horror film of sorts, the one in which humans’ indiference towards life presents itself in its unbeautified shape.
Winterthur review: Beast (2021)
Covarrubia manages to bring across cruelty through seemingly harmless daily routines in the woman’s household.
Review: Cabra Cega (2021)
‘Cabra Cega’ is a film that generates its energy from the filigrane feeling for the emotional relationship between the siblings
Winterthur review: Three Songs For Benazir (2021)
The camera work is un-interventional, silent and attentive, and it is less of a fly-on-the-wall than the dirt-hits-the-fan feeling we are witnessing as the film progresses.
Winterthur review: All the Crows in the World (2021)
Smart, bold and inventive in its blend of different thropes, All Crows in The World delivers on all fronts.
Pawel Lozinski: “The Balcony Movie’ was a kind of casting/ soul-searching process.”
Pawel Lozinski appologizes for being slightly late. He’s out of breath, explaining that the traffic in Warsaw is impossible at the moment, and that the city almost feels like being in the state of war. “We have approximately 200000 refugees in the capital only, and about 2 million in the country. Let me put it […]
Berlinale review: It’s Raining Frogs Outside (2021)
“It’s Raining Frogs Outside” is an outstanding, dark drama done with an impressive know-how.
Thierry Demaizière & Alban Teurlai: “The kids are so used to the cameras that ours was just one more”
Documentaries expose the truth, and the nuances that they can convey are so much stronger than any performance delivered by an actor.
